New book
Michael Alden's kind remarks about my first book, in the area of men's dress, inspired the thought, now being brought to fruition, that there might be room for another book on men's grooming and accessories. Here is a short excerpt, from the next book, in relation to colognes and scents:
'Notes'
The science of perfumery is, because of the tiny amounts of the ingredients used, arguably much more exact than the science of wine, although the jargon used in that is bad enough. It is, perhaps, no coincidence that the production of both perfume and wine can bring profound satisfaction to the human mind and they both depend entirely on a perfect expression of chemical science and art. You might hear perfumers and the cognoscenti talking about 'top notes', 'middle' or 'heart notes' and 'base notes' and, blinded by science, wonder what they mean. It is straightforward in principle: 'top notes' are the most voluble, first scents to strike the senses in a perfume, as it 'develops' on, and evaporates off, the skin. Many good scents (especially complex scents) take many minutes to 'develop' after application. Of course, all applied scents continue to change until they fade away. The 'middle' or the 'heart notes' are the centre of the fragrance, making it essentially, say, an oriental, a citrus, leather, chypre or woody scent (these terms are explained later). The 'base' notes derive from the fixatives used, such as: oakmoss, patchouli, various wood essences, musk, tonka beans, ambergris and vanilla and these reinforce the heart notes. There are also some modern, 'linear' scents that don't have these 'notes', or layers, but just comprise a single fragrance.
Triggers
So far as individuals are concerned, it is well-known that scents trigger memories of: places, people, seasons, events and stir our feelings and conjure up atmospheres: the aromas of: rain on fresh asphalt; new-mown hay; cut grass; warm horse leather; English spring mornings and -
"Daffodils that come before the swallow dares,
And take the winds of March with beauty"…
English autumn leaves and garden bonfires; old colouring pencils in a pencil box; brown paper; excellent cigars; Turkish cigarettes; aromatic pipe tobacco; roasted coffee; ice cream; garden roses and jasmine; old tweed clothes; the smell of cordite from a first good shot in the crisp morning air; the summer sun on sea sand; the smell of burning coal and wood fires - are all strong, clear, first memories from childhood and youth; of things as important to us and as immutable as anything that we have or know; the strong smells of first experience and that is, maybe, why we like perfumes that bring these memories back to us, stir our feelings and conjure up these atmospheres: these are our scents of security.
Types
The major, traditional categorizations of scents are into olfactive families or accords: the Amber-Oriental family has an earthy, ambergris, spice and vanilla aroma and is warm, intense and heady; Citrus-Hesperidia is fresh and contains, predominantly, citrus and fruit oils, especially bergamot, bitter orange and lime; Leather-Tobacco scents include tobacco, honey and wood tars; Chypre (French for Cyprus) might comprise such ingredients as sage, lavender, oakmoss, patchouli, labdanum, bergamot, sandalwood, jasmine, rose and resins and Woody-Fougère (fern) includes sandalwood, cedar, patchouli, lavender, coumarin and oakmoss. There are sub-divisions of all these families but it is beyond the reach of this book to go into those. The main men's fragrances are Citrus-Hesperidia; Leather-Tobacco and Woody-Fougère. We might note along the way that there are also more modern scents known as 'Green', including the scents of tomato leaves and cut grass. Recommended reading for more depth in this whole subject is the fascinating Royal Society of Chemistry's publication The Chemistry of Fragrances.
Major components
There are many staple favourites in the perfumer's workshop-laboratory. Below are a few of the traditional types; a few of these are now synthesised, owing to legal bans on the use of the natural product. Some vehicles render more than one aromatic product; for example, bitter orange renders neroli from the fruit and petit grain from the leaves and twigs and different methods of extraction also result in different products:
And so on...
NJS
'Notes'
The science of perfumery is, because of the tiny amounts of the ingredients used, arguably much more exact than the science of wine, although the jargon used in that is bad enough. It is, perhaps, no coincidence that the production of both perfume and wine can bring profound satisfaction to the human mind and they both depend entirely on a perfect expression of chemical science and art. You might hear perfumers and the cognoscenti talking about 'top notes', 'middle' or 'heart notes' and 'base notes' and, blinded by science, wonder what they mean. It is straightforward in principle: 'top notes' are the most voluble, first scents to strike the senses in a perfume, as it 'develops' on, and evaporates off, the skin. Many good scents (especially complex scents) take many minutes to 'develop' after application. Of course, all applied scents continue to change until they fade away. The 'middle' or the 'heart notes' are the centre of the fragrance, making it essentially, say, an oriental, a citrus, leather, chypre or woody scent (these terms are explained later). The 'base' notes derive from the fixatives used, such as: oakmoss, patchouli, various wood essences, musk, tonka beans, ambergris and vanilla and these reinforce the heart notes. There are also some modern, 'linear' scents that don't have these 'notes', or layers, but just comprise a single fragrance.
Triggers
So far as individuals are concerned, it is well-known that scents trigger memories of: places, people, seasons, events and stir our feelings and conjure up atmospheres: the aromas of: rain on fresh asphalt; new-mown hay; cut grass; warm horse leather; English spring mornings and -
"Daffodils that come before the swallow dares,
And take the winds of March with beauty"…
English autumn leaves and garden bonfires; old colouring pencils in a pencil box; brown paper; excellent cigars; Turkish cigarettes; aromatic pipe tobacco; roasted coffee; ice cream; garden roses and jasmine; old tweed clothes; the smell of cordite from a first good shot in the crisp morning air; the summer sun on sea sand; the smell of burning coal and wood fires - are all strong, clear, first memories from childhood and youth; of things as important to us and as immutable as anything that we have or know; the strong smells of first experience and that is, maybe, why we like perfumes that bring these memories back to us, stir our feelings and conjure up these atmospheres: these are our scents of security.
Types
The major, traditional categorizations of scents are into olfactive families or accords: the Amber-Oriental family has an earthy, ambergris, spice and vanilla aroma and is warm, intense and heady; Citrus-Hesperidia is fresh and contains, predominantly, citrus and fruit oils, especially bergamot, bitter orange and lime; Leather-Tobacco scents include tobacco, honey and wood tars; Chypre (French for Cyprus) might comprise such ingredients as sage, lavender, oakmoss, patchouli, labdanum, bergamot, sandalwood, jasmine, rose and resins and Woody-Fougère (fern) includes sandalwood, cedar, patchouli, lavender, coumarin and oakmoss. There are sub-divisions of all these families but it is beyond the reach of this book to go into those. The main men's fragrances are Citrus-Hesperidia; Leather-Tobacco and Woody-Fougère. We might note along the way that there are also more modern scents known as 'Green', including the scents of tomato leaves and cut grass. Recommended reading for more depth in this whole subject is the fascinating Royal Society of Chemistry's publication The Chemistry of Fragrances.
Major components
There are many staple favourites in the perfumer's workshop-laboratory. Below are a few of the traditional types; a few of these are now synthesised, owing to legal bans on the use of the natural product. Some vehicles render more than one aromatic product; for example, bitter orange renders neroli from the fruit and petit grain from the leaves and twigs and different methods of extraction also result in different products:
And so on...
NJS
NJS, you're such a tease. So, do we have a date yet?
s
s
Shredder - it is set for publication in January 2011, which may seem a long way off but where have the first three months of 2010 gone and, judging by all the programmes on Sky TV at the moment about Armageddon looming in 2012, I guess that we all ought to be busying ourselves with our eternal parts. However, writing books does distract one's attention from the enormity of it all.
NJS
NJS
NJS, leave Armageddon to those who live to exist. It makes existing much more interesting.
January 2011... Some wisecrack said something about patience being a virtue of sorts...
s
January 2011... Some wisecrack said something about patience being a virtue of sorts...
s
shredder - I find that, as I get older (old enough for one of my friends recently to say "Now we can see the top of the escalator" ), time seems to pass ever faster and January is not that far off. Moreover, living in Latin America may not increase one's patience but it does induce a sense of resignation to a certain amount of delay! I have always been struck by a favourite dictum of an elderly Hindu that I used to know: "Life is about resignation, my friend" and, although I was reluctant, in my youth, to believe the truth of this, more and more I can see that resignation and surrender, while trying our very best in the teeth of all that seems to oppose us, is the only way through. After all "man appoints and God disappoints", so until the book is actually distributed, I should be cautious in promising its arrival in January, or even at all!
NJS
NJS
Ah, but Hindus (and Buddhists) believe in reincarnation... This life, next life, the life after next... It's never ending!! Imagine the sort of patience such a concept requires!!
s
s
True! I have to say that once around the block is quite enough for me. The thought of re-living my life (or living another as a worm or an ant), fills me with unutterable dread because, however we console ourselves, human existence is (literally), an awful thing and the best that we can do is keep as usefully busy as we can.This is why, to quote someone else, I never just sit on the beach and stare at the sea or sky; as madness lies out there. But I am quite happy to see it all through - but just the once.
NJS
NJS
That would be... at the base notes - to use the terminology you explain humorously and informatively in the excerpt I am an admirer of those rare fragrances that manage to carry a good amount of fresh and ethereal top notes all the way through to the base notes.storeynicholas wrote:old enough for one of my friends recently to say "Now we can see the top of the escalator"
Perhaps you should include the thought of reincarnation among your resignations, lest you should otherwise get a second chance to reconsider your position
I couldn't conceivably resign myself to the possibility of coming back as more than a biped because, with up to eight legs, it would be difficult to find enough space for all the necessary additional trousers and shoes.Costi wrote:That would be... at the base notes - to use the terminology you explain humorously and informatively in the excerpt I am an admirer of those rare fragrances that manage to carry a good amount of fresh and ethereal top notes all the way through to the base notes.storeynicholas wrote:old enough for one of my friends recently to say "Now we can see the top of the escalator"
Perhaps you should include the thought of reincarnation among your resignations, lest you should otherwise get a second chance to reconsider your position
__________ --ooo000OOO
!!!!!!!!!
and how could (say) an ant bespeak a new pipe let alone smoke it? On the other hand, reincarnation as a Golden Orb weaving spider would mean that one could make one's own ties...
NJS
But then, if you came back as the right sort of anthropod, you could possibly be producing gossamer instead of gathering them!storeynicholas wrote:I couldn't conceivably resign myself to the possibility of coming back as more than a biped because, with up to eight legs
Yes, on that, I have actually started gathering abandoned webs from the garden as the right spiders are here (of course, we only have spiders like us in our garden), but it's going to take a lifetime and I'll have to bequeath the box to my eldest son as a curious heirloom...shredder wrote:But then, if you came back as the right sort of anthropod, you could possibly be producing gossamer instead of gathering them!storeynicholas wrote:I couldn't conceivably resign myself to the possibility of coming back as more than a biped because, with up to eight legs
NJS
There is little evidence about ants and pipes, but some blue caterpillars have been known to be heavy Narguileh smokers...storeynicholas wrote:and how could (say) an ant bespeak a new pipe let alone smoke it?
(and a nice jacket he is wearing, too)
-
- Posts: 324
- Joined: Fri Aug 08, 2008 12:59 pm
- Contact:
Nicholas:
Surely you've read German writer Patrick Suskind's cross-genre novel Perfume: The Story of a Murderer, but have you seen the remarkable screen adaptation of it that was directed by Tom Tykwer? It will
keep your mind off bugs and proofreading, and you won't be able to forget the movie.
JMB
Surely you've read German writer Patrick Suskind's cross-genre novel Perfume: The Story of a Murderer, but have you seen the remarkable screen adaptation of it that was directed by Tom Tykwer? It will
keep your mind off bugs and proofreading, and you won't be able to forget the movie.
JMB
In that case returning as an ant might not be so bad after all...Costi wrote:There is little evidence about ants and pipes, but some blue caterpillars have been known to be heavy Narguileh smokers...storeynicholas wrote:and how could (say) an ant bespeak a new pipe let alone smoke it?
(and a nice jacket he is wearing, too)
NJS
I do have this book from several years back but it is not with me out here. I remember it but I have not seen the film - somehow it has passed me by but I shall have to look out for a DVD of it here.Jordan Marc wrote:Nicholas:
Surely you've read German writer Patrick Suskind's cross-genre novel Perfume: The Story of a Murderer, but have you seen the remarkable screen adaptation of it that was directed by Tom Tykwer? It will
keep your mind off bugs and proofreading, and you won't be able to forget the movie.
JMB
NJS
-
- Information
-
Who is online
Users browsing this forum: No registered users and 3 guests