Good shirtmaker in UK

"The brute covers himself, the rich man and the fop adorn themselves, the elegant man dresses!"

-Honore de Balzac

andreyb
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Sun Sep 23, 2012 6:55 pm

Manself wrote:Sean O'Flynn once told me that he couldn't even get the length of his own shirt sleeves right, so he just has his tailor cut his jacket sleeves short to make sure some shirt cuff is always visible!
Weird... Among the UK shirtmakers listed above, he should have the greatest amount of control -- as his seamstresses work directly under him (quite literally so, in the same building!)

As for Mary, let's wait for final results. So far she got the "charming" part right -- but so did her UK colleagues. Though presence of Pierre is very, very reassuring.

As for taking a photo... Lachter got mine -- but this is supposedly because his is not the person who does cutting? Not a big deal, in my opinion. Also, the sleeves are of the same length (same with Budd shirts I have) -- still *very* surprised with what O'Flynn said. :shock:

Andrey
Julian
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Sun Sep 23, 2012 7:07 pm

andreyb wrote:As for taking a photo... Lachter got mine
Sean O'Flynn also took mine when he took my measurements.

- Julian
Costi
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Sun Sep 23, 2012 8:13 pm

Wasser50 wrote:By the way my other half says I'm the fussiest person she has ever known when it comes to cloths, my tailor says the same!
Wasser, that's not a good sign... :wink:

I agree that with Manself that where a stored paper pattern could go wrong, a fitting shouldn't. The fitting is an intrinsic step of the bespoke tailoring process, if not its basis. Even an averagely accurate pattern can often be greatly improved at a fitting. It takes time and availability of the customer in the shop, so both sides try to do without (storing paper patterns etc.), but really these are shortcuts. Whenever possible, it should be done.
davidhuh
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Sun Sep 23, 2012 9:47 pm

Manself wrote: If someone knows of a good London shirtmaker I'd love to try them, but for now I'll be crossing the Channel when I need new shirts.
All of this prompts the question - where did it all go wrong for London shirtmakers? Surely there was a time when better options were available?
Dear Manself,

I had about 50 bespoke shirts made by Mr Butcher from Budd in the past 3 years. No muslin fitting; but none of the problems described in this thread.

We had to adjust the pattern a little after three, four shirts; I have changed my ideas once or twice - that's it. A few things I had to tell him (I want sleeve stripes to match the shoulder, I want shank buttons and surgeon cuffs).

cheers, david
andreyb
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Sun Sep 23, 2012 10:21 pm

Manself wrote:All of this prompts the question - where did it all go wrong for London shirtmakers? Surely there was a time when better options were available?
Thomas Girtin's "Makers of Distinction" book (published in 1959, more than 50 years ago) is quite illuminating in this regard.

Did they practiced fittings back then?
Girtin, pg 54 wrote:When fitting takes place, one shirt, out of an order for six or a dozen, will be made as a specimen, and after any necessary adjustments have been made this will serve as the prototype for the rest of the order.
So, a "fitting" then, as it is now, is just a first shirt from one's initial order. Also, note the mentioning of "six or a dozen" -- initial order requirement actually became less strict nowdays!

Thus, one can say that UK shirtmakers do practice fittings -- just at customer's own expense. This system also assumes that a shirtmaker is able to correct all the errors after a single "fitting" -- which, in my experience, is a reasonable assumption.

My guess is that the reason for this "customer-subsidized" fitting is purely economical. You can re-sew a jacket after a fitting; you can't re-sew a shirt -- you have to throw it out and start again. That's why shirtmakers use muslin. But these things (+labour) cost money. UK shirtmakers just make this cost explicit. Also, after a pattern is perfected, there is no need to do any further fittings for shirts.

Did they employed hand sewing back then?
Girtin, pg 54 wrote:Moreover, all seams are -- and for many years have been -- worked with a sewing machine: hand-work is reserved for finishing details such as buttonholes.
Of course, buttonholes are invariably machine-made these days -- that's the only change. Monograms are still hand-made, though.

Some time ago RSS posted a photo of a shirt made by "Bowring Arundel", a legenday shirtmaking atelier. It was made before N&L acquired the company -- long time ago. I can swear the needlework is exactly on the same level as what I have with Budd and Lachter nowdays! Definitely not better.

What we lose from Girtin's days is laundries operated by shirtmakers themselves. Which is a part of service, one migh say. Also, as Manself's and others (and my own!) experience suggests, service is generally quite bad these days. This is very unfortunate.

Apart of service, end result is quite good, in my opinion. Yes, italian and french shirts are better sewn. But at what cost? Last time I checked, Charvet's and Lanvin's bespoke prices started from 500 euros. London shirtmakers are all around 200 GBP. Cloth and buttons are of the same quality. Longevity is also the same.

But yes, the service side definitely can use some improvement.

Andrey
Last edited by andreyb on Sun Sep 23, 2012 10:29 pm, edited 4 times in total.
andreyb
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Sun Sep 23, 2012 10:25 pm

Julian wrote:
andreyb wrote:As for taking a photo... Lachter got mine
Sean O'Flynn also took mine when he took my measurements.
This seems to be a common thing. A quote from http://www.gq-magazine.co.uk/comment/ar ... irt-makers:
GQ wrote:Finally, he takes a photo as an aide-mémoire of our deportment. "It doesn't make any difference to the fit. But we've got a great fake-passport business going..."
Andrey
Last edited by andreyb on Mon Sep 24, 2012 6:29 am, edited 1 time in total.
davidhuh
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Mon Sep 24, 2012 5:03 am

andreyb wrote: What we lose from Girtin's days is laundries operated by shirtmakers themselves.
Andrey
Dear Andrey,

Budd collaborates with a laundry via their shop. Living abroad, I have never used the service. But your comment is right - the number one thing I would love to improve is laundry and ironing. Hand made button holes would be next.

cheers, david
alden
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Mon Sep 24, 2012 1:18 pm

I had about 50 bespoke shirts made by Mr Butcher from Budd in the past 3 years. No muslin fitting; but none of the problems described in this thread.
David,

Time to Budd out and try something new. Do yourself a favor and visit either Mary, Charvet or Marc at Lanvin. It will be an eye opening experience and maybe the way you judge bespoke shirts and the bespoke process will be changed forever, or not. :D

Cheers
alden
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Mon Sep 24, 2012 1:37 pm

As for Mary, let's wait for final results
The results are in. Mary's work is the direct result of her apprenticeship with Pierre. His hand is there, and it is the best I have ever seen bar none.

When over ten years ago Pierre Duboin told me he was retiring, I was sartorially devastated. Here I had found a shirtmaker who made my Romans and Neapolitans look silly, and he retires on me!

It is to his great credit, that unlike most masters, Pierre has passed on the experience of three generations and over forty years to an equally masterful student. If only others matched him for class as well as skill and would do the same we would not risk losing everything. In any case, if we cannot have Pierre back in first person, it is a thrill to see him at work with new, talented hands.

It should come as no surprise, since I have been writing it for a decade now, that I consider Pierre Duboin to be the worlds best shirtmaker and no one comes close (well maybe Mary will, I hope.)

In the second tier of bespoke shirtmakers are Charvet and Lanvin. In the third tier you will find a lady from Rome, a chap from Genova and one from Naples. Then there are a few dozen excellent makers in Italy and Spain.

I would not rate the Brits highly for the simple reason that I personally consider them to be high end MTM and not artisanal bespoke. So they would not even make "my" list.

Cheers
GSC
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Mon Sep 24, 2012 2:46 pm

Michael,

That is very high praise for Mary indeed. I will try to meet with her my next trip to Paris. I go to Rome more often than Paris. Would you be willing to be more specific about whom in Rome you suggest?

GSC
alden
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Mon Sep 24, 2012 4:45 pm

That is very high praise for Mary indeed. I will try to meet with her my next trip to Paris. I go to Rome more often than Paris. Would you be willing to be more specific about whom in Rome you suggest?
GSC

Over the last decade I have avoided endorsing any individual artisan or make public the names of the people who serve me. There are just far too many people who do that for a living on the forums and I have tried to keep the LL free of them.

My comments about Pierre Duboin date from the time of his retirement. Maybe I hoped that praise would bring him back. It didn't. But I am delighted to see him back with Mary. They make a great team.

Cheers

PS
As far as Rome is concerned with a little research you should find her.
GSC
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Mon Sep 24, 2012 5:03 pm

Many thanks. I'll give her your regards.
davidhuh
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Mon Sep 24, 2012 6:55 pm

alden wrote: David,

Time to Budd out and try something new. Do yourself a favor and visit either Mary, Charvet or Marc at Lanvin. It will be an eye opening experience and maybe the way you judge bespoke shirts and the bespoke process will be changed forever, or not. :D

Cheers
Dear Michael,

I hear you. But I'm not as often in Paris as in London. Went to see Mr Butcher today to pick up some shirts. He wants to put his hands on your linen. After mistreating him with Liberty prints, I owe him that much :D

cheers, david
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culverwood
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Tue Sep 25, 2012 9:31 am

Another photographed by Sean. I assumed the photograph was more for client identification than fit.

I do not understand the idea of travelling to another country just to buy clothes. Perhaps in the UK I do not need to but it just seems to be taking the dandy thing a step too far. That does not mean I would not buy clothes on holiday or when working but unless I had a reason to return to a city regularly I would not consider bespoke abroad.
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