The Rake: A Review
Posted: Wed Jul 08, 2009 9:16 pm
Gentlemen,
Some time ago I subscribed to a new magazine on classical men's style, named "The Rake". About a week ago I got first three issues; here is a short review.
The magazine is published in Singapore (of all places!); yearly subscription, if ordered from the publisher's web-site, costs a hefty $130.
Each issue has around 200 pages; some of them are filled with ads, but signal / ads ratio is quite high.
First impression is uniformly positive. Absolutely all the articles are devoted to interesting topics! Of course, reality (that is, text of the articles) diminished my excitement.
Most of the material are written by the members of a very small editorial team. Thus, it is hard to expect deep analysis. Moreover, the texts are very light in substance and "advertorial" in style. Photos, on the other hand, are uniformly excellent.
There are several sections in the magazine; the most interesting one named just articles.
Quality of said articles is very uneven. Some are pure genius...
(Authored by James Sherwood; written with passion and solid knowledge of the subject matter.)
...others are pretty mediocre.
("Shirt Stories: A Year In The Life Of A Charvet Devotee". History of the company is interesting, but how about a few words on current state of things? Also, I'd like to see something more than an usual set of general and vague praises of Charvet shirts.)
(Interview with Andrea Perrone, co-CEO of Brioni. Again, history + interview filled with vague praises. Neither hard facts nor critical analysis.)
But even "mediocre" articles from The Rake are better than what one finds in all the GQs and Esquires of this world.
In the academy section authors attempted to explain principles of fit and proportion. One issue aims at suits, other at trousers, and yet another at formal wear. Granted, this is a very difficult task... and I can't say that The Rake editors failed miserably. Though they are not succeeded, too. The text resembles Flusser at his worst: a lot of prescriptions and "rules" that are next to impossible to remember in entirety.
Atelier section, as one might guess, is devoted to stories on ateliers. However, so far authors visited not ateliers, but factores... Lamborghini, Valextra, Hermes, Tod's, Riva, Louis Vuitton. Unfortunately, the texts here become purely "advertorials".
Most of the stories about real ateliers belong to already mentioned articles section. A few occur in the atelier, too.
Pictured above is a passionate essay on Berluti bespoke experience.
One interesting column is pocket guide. The idea is to look into pockets of a dandy. Well, actually they list all the accessories on hand, not necessarily those that fit into pockets.
Pictured above is a well-known style journalist Nick Foulkes.
Another brilliant idea for a regular column is "Notes from the Row", authored by Jamed Sherwood.
Of course, the magazine has a plenty of other sections and types of articles. But what I listed above is its best and brightest. Some inevitable GQ-like boring things and "space fillers" are also very much present. But let me spare you from description of ugly creations... each magazine has them.
Every review ends with an unspoken question: to buy or not to buy? I don't know what to answer this time. On one hand, The Rake definitely doesn't belong to a "must read" list. On the other, this is the best English-language style magazine we have today.
Andrey
Some time ago I subscribed to a new magazine on classical men's style, named "The Rake". About a week ago I got first three issues; here is a short review.
The magazine is published in Singapore (of all places!); yearly subscription, if ordered from the publisher's web-site, costs a hefty $130.
Each issue has around 200 pages; some of them are filled with ads, but signal / ads ratio is quite high.
First impression is uniformly positive. Absolutely all the articles are devoted to interesting topics! Of course, reality (that is, text of the articles) diminished my excitement.
Most of the material are written by the members of a very small editorial team. Thus, it is hard to expect deep analysis. Moreover, the texts are very light in substance and "advertorial" in style. Photos, on the other hand, are uniformly excellent.
There are several sections in the magazine; the most interesting one named just articles.
Quality of said articles is very uneven. Some are pure genius...
(Authored by James Sherwood; written with passion and solid knowledge of the subject matter.)
...others are pretty mediocre.
("Shirt Stories: A Year In The Life Of A Charvet Devotee". History of the company is interesting, but how about a few words on current state of things? Also, I'd like to see something more than an usual set of general and vague praises of Charvet shirts.)
(Interview with Andrea Perrone, co-CEO of Brioni. Again, history + interview filled with vague praises. Neither hard facts nor critical analysis.)
But even "mediocre" articles from The Rake are better than what one finds in all the GQs and Esquires of this world.
In the academy section authors attempted to explain principles of fit and proportion. One issue aims at suits, other at trousers, and yet another at formal wear. Granted, this is a very difficult task... and I can't say that The Rake editors failed miserably. Though they are not succeeded, too. The text resembles Flusser at his worst: a lot of prescriptions and "rules" that are next to impossible to remember in entirety.
Atelier section, as one might guess, is devoted to stories on ateliers. However, so far authors visited not ateliers, but factores... Lamborghini, Valextra, Hermes, Tod's, Riva, Louis Vuitton. Unfortunately, the texts here become purely "advertorials".
Most of the stories about real ateliers belong to already mentioned articles section. A few occur in the atelier, too.
Pictured above is a passionate essay on Berluti bespoke experience.
One interesting column is pocket guide. The idea is to look into pockets of a dandy. Well, actually they list all the accessories on hand, not necessarily those that fit into pockets.
Pictured above is a well-known style journalist Nick Foulkes.
Another brilliant idea for a regular column is "Notes from the Row", authored by Jamed Sherwood.
Of course, the magazine has a plenty of other sections and types of articles. But what I listed above is its best and brightest. Some inevitable GQ-like boring things and "space fillers" are also very much present. But let me spare you from description of ugly creations... each magazine has them.
Every review ends with an unspoken question: to buy or not to buy? I don't know what to answer this time. On one hand, The Rake definitely doesn't belong to a "must read" list. On the other, this is the best English-language style magazine we have today.
Andrey