Illustration of the week #7- Harmonious contrasts
Posted: Fri Feb 27, 2009 4:27 pm
Harmonious contrasts
I see pictures of odd coats on the internet often worn with either very hard contrasts or no contrast at all between coat and trouser colors. What we aim for is a harmonious contrast.
The illustration below shows dark brown cord trousers being paired with a Prince of Wales check tweed coat. The check is a dark brown and mid brown with a large crimson windowpane. The dark brown in the check of the coat is in harmony with the dark brown in the trouser. The mid brown and crimson are in contrast. The overall effect of the check in the coat is to create a harmonious contrast with the color of the trouser. The crimson windowpane adds just a touch of color that makes the image interesting to the eye.
In the same way, the caramel color of the scarf picks up the light brown in the check of the coat and transmits light from both to the face. Keep light colors around your face, both in the choice of shirt color and accessories.
An example of a no contrast would be pairing the following coat with the dark brown trousers.
The error I most often see however is not this one but the attempt to overplay a contrast as in very dark on very light. No contrast at all is better than the hard contrast, one that should be avoided systematically.
Another example of a harmonious contrast can be seen displayed by one of the masters:
In this summery example in Cannes, Grant is wearing a light colored hopsack blazer with off white flannel or gabardine trousers. The white shirt is in harmony with his trousers and brightens his face. The silk accessories no doubt included some recall in the coat though it is hard to see from this picture. The overall effect of a harmonious contrast is the creation of simple, understated and yet intriguing combinations of colors and forms.
Cheers
M Alden
*Picture of Grant courtesy of http://welldressed.blogg.se/
I see pictures of odd coats on the internet often worn with either very hard contrasts or no contrast at all between coat and trouser colors. What we aim for is a harmonious contrast.
The illustration below shows dark brown cord trousers being paired with a Prince of Wales check tweed coat. The check is a dark brown and mid brown with a large crimson windowpane. The dark brown in the check of the coat is in harmony with the dark brown in the trouser. The mid brown and crimson are in contrast. The overall effect of the check in the coat is to create a harmonious contrast with the color of the trouser. The crimson windowpane adds just a touch of color that makes the image interesting to the eye.
In the same way, the caramel color of the scarf picks up the light brown in the check of the coat and transmits light from both to the face. Keep light colors around your face, both in the choice of shirt color and accessories.
An example of a no contrast would be pairing the following coat with the dark brown trousers.
The error I most often see however is not this one but the attempt to overplay a contrast as in very dark on very light. No contrast at all is better than the hard contrast, one that should be avoided systematically.
Another example of a harmonious contrast can be seen displayed by one of the masters:
In this summery example in Cannes, Grant is wearing a light colored hopsack blazer with off white flannel or gabardine trousers. The white shirt is in harmony with his trousers and brightens his face. The silk accessories no doubt included some recall in the coat though it is hard to see from this picture. The overall effect of a harmonious contrast is the creation of simple, understated and yet intriguing combinations of colors and forms.
Cheers
M Alden
*Picture of Grant courtesy of http://welldressed.blogg.se/